A Stunning '98 model F150 with an unbelieveable 97K miles. This Great Looking, Well Maintained Beauty has the Very Handy 3rd Door for easy access to the Backseat. The 4.6L V8 and the Automatic Overdrive Trans and both solid and run out 100%. Not only Luscious Leather Interior but absolutely loaded with many fabulous attributes. Air Conditioning, Keyless Entry, Lighted Running Boards, Alloy Wheels, Cruise Control, Dual Air Bags, Leather Seats, Power Door Locks, Power Mirrors, Power Seat, Power Steering, Power Windows, Tilt Wheel, Tow Hitch Receiver, Tinted Glass and a nice AM/FM Stereo Cassette Player. A Great Price on this Fine Truck. Just 00. Better Call TODAY 1-828-390-0659.
Monday, December 26, 2011
Thursday, December 15, 2011
#A5864A 06 MERCURY GRAND MARQUIS LS... LAVERY AUTOMOTIVE ALLIANCE, OHIO 44601
WOW!!! THIS 2006 MARQUIS LS IS A MUST SEE... 1 OWNER... NON SMOKER... LOCAL TRADE IN... CLEAN AUTOCHECK REPORT... NEWER TIRES... ON A SCALE FROM 1-10 ITS A 9... LEATHER INTERIOR... DUAL POWER SEATS... 16 CHROME WHEELS... 6 PASS SEATING... POWER ADJUSTABLE PEDALS... POWER HEATED MIRRORS... CD & CASSETTE PLAYER... STEERING WHEEL RADIO CONTROLS... TONS OF CHROME... Only one owner!!! Does it all!!! Great car for all seasons!!! Are you still driving around that old thing? Come on down today and get into this handsome 2006 Mercury Grand Marquis!!! With just one previous customer, this vehicle has been treated with kid gloves, and it shows. For more information on this vehicle **CONTACT MARK EBERLING** at (330)705-4121 or visit us on-line at www.laverychevy.com to see all of our other USED CARS & USED TRUCKS....
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Wednesday, December 7, 2011
Checking the Cassette Tape
Knowing the Cassette Tape
Cassette tapes are produced of a polyester type plastic celluloid with a magnetized coating. The gamma ferric oxide (Fe2O3) was the basis of the original magnetized stuff. About 1970, a doping cobalt volume procedure with a double-coating method to heighten overall tape output levels was developed and introduced by 3M company. This merchandise was commercialized as 'High Energy' under its Scotch brand of recording tapes. The tapes tagged with a 'low-noise' label are usually not that costly. However, these 'low-noise' tapes are not for high frequency reception.
Some Noted Facts
The chromium dioxide or the CrO2 was introduced by DuPont, the inventor of the particle, and the inventor of magnetic recording (which is the BASF), and then coatings using magnetic iron-ore or the Fe3O4 were developed in a try to approach the audio quality of vinyl records (like the Audua of TDK). These said developments also happened in 1970 as well. The TFK introduced Avilyn or the cobalt-absorbed iron oxide in 1974 and was demonstrated very productive. Eventually pure metal motes (as opposed to oxide formulations) were prefaced in 1979 by 3M subordinate the trade name Metafine. The tape coating on most Cassettes consist of Ferric Oxide and Cobalt mixed in varying proportions and sold today as either 'Normal' or 'Chrome' (and using various processes); there are very few cassettes on the market that use a pure (CrO2) surfacing.
Sound Quality
Simple sound recorders are designed to process with regular ferric preparations. High fidelity tape decks are commonly built with switches or detectors for the several nonparallel and leveling requirements for high performance tapes. The most common, the IEC Type I or the iron oxide tapes, use 120 µs playback equalization, while the IEC Type II or the chrome and cobalt-absorbed tapes require 70 µs playback equalization. The recording had a much farther time constant and there were differences in the 'bias' equalizations. The IEC Type III or the 'ferrichrome' or the FeCR is a dual layer tape with both ferric oxide and chrome dioxide was tested and marketed, but these were only available for a short time in the 1970's by Sony and BASF. The IEC Type IV or Metal Cassettes also use 70 µs playback equalization, and supply still further improvements in sound caliber. The quality is normally reflected in the price; Type IV usually the most expensive and Type I cassettes are generally the cheapest. BASF chrome tape used in commercially pre-recorded type I cassettes used 120 µs playback equalization to allow greater high frequency propelling rate for better audio quality, but the broader selling point for the music labels was that the same Type I cassette scale could be used for both ferric and for chrome music cassettes.
Cassette Tapes Statistics
These tapes have an average width of 0.150 inches or 3.81 millimeters. Each of its stereo tracks is 0.6 millimeters wide. Cassette tapes moves at 1 1/8 inches per seconds (or 4.76 centimeters in a tick).
Thursday, December 1, 2011
1968 Chevrolet Camaro STK # 106.mpg
Here's one of the cars that is on everybody's dream car list, a 1968 Chevrolet Camaro. Built as an SS clone, this gorgeous black on black Camaro now sports a new 350ci ZZ4 Crate engine boasting 355hp and over 400 ft-lbs of ground-pounding torque. The engine in this is fresh with only about 3000 miles on it. Some cars are head turners and some are shear neck breakers; this baby is definitely the latter. This car's got the perfect stance and is one tough looking 68 Camaro! Slick Black paint with a White SS stripe going around the front clip, means muscle and with the new, strong running aluminum-headed 350ci ZZ4 Crate motor mounted to an automatic Turbo 350 transmission, it runs as strong as it looks. The arrow straight body really shows off the slick as glass paint job on this car. New polished American Racing Torq-Thrust II wheels wrapped in new radial tires keep all that muscle planted to the ground. Shorty aluminized tube headers flow to a full stainless steel true dual exhaust with single chamber Flowmaster mufflers and exit out 3" chrome tips that give an extremely nice and aggressive exhaust note. Aluminum heads, a Demon carburetor and a roller cam help give this beast the all the power to get where you want to go quickly. Other great touches under the hood are the March billet aluminum pulley set up, polished custom fender support braces, a chrome alternator, chrome air cleaner, billet radiator cap and Chevrolet billet center-bolt valve covers. Power steering and ...
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Monday, November 28, 2011
Car Stereo Wiring 101 - A Must Read!
I have come across a lot of car stereo systems over the past 10 years or so. There are so many "techniques" to installing head units. Everyone has their own opinion of what is right and wrong when wiring up a system, but just because it works doesn't make it right.
I asked Majestic Modifications what their opinion was on the subject. How do they install so many units and always get it right?
First, if applicable, always use the harnesses. The aftermarket wiring harness will usually take the guesswork out of the installation. These harnesses attach to the vehicle's factory wiring harness and gives you a color coded installation. You just attach red to red, yellow to yellow, etc. But is that all an installer should know?
Starting with your digital multimeter, find the power sources in the harness. One source will be continuous 12 volts, the other will be the ACC (ignition) 12 volts. These two will go with the yellow and red wires from the aftermarket head unit's harness. They are labeled accordingly. It is usually a good idea to attach the ground wire to the frame of the dash. A lot of head units come with a connector for this already attached to the ground wire. Secure these in place with some solder and shrink tubing. Slip the shrink tubing over one of the wires to be connected and move it out of the way. Connect the wires and dab a little solder on the wires. Let cool and then slide the heat shrink tubing over the connection. Heat with a heat gun/hair dryer to shrink the tubing to fit.
You can try to look on the internet for the wiring colors, but good luck. They will tell you the "typical" wire colors, but chances are it will be different. You can try two techniques to find the right wires. Clip the rest of the wires from the factory harness. You can test the speakers with a good 9 volt battery to see which speakers are which. Two wires connected to the same speaker will make it pop. Note which speaker makes the pop and attach it to that speakers wiring from the head unit. I like to turn the unit on and make sure the wires are the right polarity. A reverse wired speaker will not have as good a sound as a properly wired one. Continue the technique until all the speakers are connected.
The other way you can trace the speakers down is to turn on the head unit, but be VERY careful to not cross any wires. Start with a pair of wires, and attach them one at a time until you get sound. Note which speaker it is and attach it to that speaker's wires from the wiring harness, taking not of polarity. Continue until all the wires are in place. Zip tie the wire together and neatly tuck them behind the head unit.
Be sure you have a good ground wire connection. Be sure that RCAs or signal wires are running away from any power wires or sources, and are not run parallel to them.
If you want a neat trick, you can attach the 12 volt acc to the illumination wire, and you will be able to turn the unit on with your parking light switch. Take note, that anytime the unit is on, the dash panel lights will be on too, but you won't notice them in the daytime. The illumination wire is used to turn the factory radio lights on at night.
Not having the wiring harness for your vehicle is not a do or die situation. If you can get the harnesses, save the hassle and time and use it. If you find yourself in a bind, then follow the steps above and get it installed correctly.
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Wednesday, November 23, 2011
Convert Cassettes to CD or MP3 Format (How to)
Windows XP and older: audacity.sourceforge.net Windows Vista and newer: audacity.sourceforge.net lame encoder for MP3's: audacity.sourceforge.net Other then that you just need the male/male 3.5mm jack cable. Your sound card may have both line-in and microphone on the same jack. The universal color for line-in is blue. Credits: Kevin MacLeod Site URL: incompetech.com Song Title: Griphop Creative Commons License Convert Cassettes to CD or MP3 Format (How to) Convert Cassettes to CD or MP3 Format (How to) Convert Cassettes to CD or MP3 Format (How to) Convert Cassettes to CD or MP3 Format (How to)
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Tuesday, November 15, 2011
Califone 2395AV-02 Music Maker Plus
!±8± Califone 2395AV-02 Music Maker Plus
Brand : Califone | Rate : 
| Price : $162.22
Post Date : Nov 15, 2011 10:01:26 | Usually ships in 24 hours
| Price : $162.22Post Date : Nov 15, 2011 10:01:26 | Usually ships in 24 hours
- Rugged all-purpose multimedia center for language development in primary levels
- Versatile multimedia center with AM-FM radio and choice of single/dual cassette player/recorders
- Top-loading CD player for convenient desk top use
- Remote control now included for lesson flexibility
- Califone recommends using C-60 tapes or shorter
More Specification..!!
Califone 2395AV-02 Music Maker Plus
Friday, November 11, 2011
Tascam CC222SLMKII CD and Cassette Recorder
!±8±Tascam CC222SLMKII CD and Cassette Recorder
Brand : TascamRate :
Price : Too low to display
Post Date : Nov 12, 2011 01:13:25
Usually ships in 24 hours
The Tascam CC222SLmkII CD and cassette deck now supports a more robust slot loading CD transport with adjustable pitch control. The CC222SLmkII includes a RIAA phono input which allows direct recording from a turntable; a feature which sets the CC222SLmkII above all the rest. Further solidifying the CC222SLmkII reputation for flexibility is its ability to be operated as two individual recorders; or, record one source to both recorders consecutively. It features digital I/O (coaxial and optical) for the CD and a set of RCA (unbalanced) analog ins and outs. The user can configure the ins and outs as two individual components or share the same I/O for both CD and cassette. The CD recorder includes popular features such as Auto Track Increment, MP3 playback, Power on Play, Fade In and Out, Manual Track Increment, and a variety of playback modes. Support for dual media has made the CC222 series a mainstay in houses of worship, schools, theaters and other installations. Only Tascam combination players and recorders deliver quality and reliability that consultants demand.
Wednesday, November 9, 2011
Problems Exposed In Dual Format High Def DVD Technology
Very few companies get the implementation of new technology completely right the first time around, and LG seems to be no exception with its new Super Multi Blue Player which is designed to play high definition DVD's in both HD-DVD and Blu-ray formats. That's according to a journalist with USA Today.
The Super Multi Blue Player has earned wide spread recognition and praise for this possibility that it could broker a peace between Toshiba, which created the HD-DVD format, and Sony, which created that Blu-ray format. Although both formats are based on similar technology that's able to encode much more data onto a disc than is possible with a standard DVD, the player of one format can't play discs of another format. The result has been a format war that has scared many would be consumers away from buying players of either format because of fear of being left with the losing technology. Because of this fear of buying into a losing technology, the Super Multi Blue Player is a safe bet: no matter which format wins out in the end, the device will be able to play discs in the winning format.
The main problem with the Super Multi Blue Player according to the article is that it costs too much. It's true that with a retail price of almost 00, many consumers will be scared off from buying it. One of the supporting arguments for why this device costs too much is that it's too far above the price of standard DVD players. The article elaborates by pointing out that the original DVD technology was a much bigger step above VHS video cassette technology than High Def DVD technology is above standard DVD technology. In the end analysis, the article argues, the Super Multi Blue Player simply isn't worth so much more money than a standard DVD player.
While a 00 price tag may be too steep for many consumers, the journalist seems to be missing the real question. The real question concerning the Super Multi Blue Player's price is whether or not the difference between it and a Blu-ray player or an HD-DVD player is worth the extra peace of mind of the consumer knowing that he or she won't have an obsolete machine when Sony and Toshiba have finally hashed everything out.
One fact that supports the idea that the Super Multi Blue Player may be cost effective is that it still costs less than the option of buying both a Blu-ray and an HD-DVD player separately. But only barely, and the advantage could evaporate with the possible introduction of lower priced Blu-ray players later this year. Then the question will concern whether or not the cost of devices like the Super Multi Blue Player can come down faster than HD-DVD players and Blu-ray players.
Another issue with the Super Multi Blue Player is that it doesn't come with an HDMI cable which is necessary for connection to an HDTV. Plus the device has the annoying traits of not playing normal CD's or taking full advantage of a lot of the bonus features of HD-DVD's.
While the journalist can be criticized for comparing the Super Multi Blue Player to standard DVD players, he's hit the nail on the head with some of the shortcomings of the actual device.
Sunday, November 6, 2011
Sony Professional Dual Tape Cassette Player / Recorder - Black
!±8±Sony Professional Dual Tape Cassette Player / Recorder - Black
Brand : SonyRate :
Price : $169.95
Post Date : Nov 07, 2011 02:25:56
Usually ships in 1-2 business days
Features :
Dolby B/C Noise Reduction
Dolby HX Pro Circuitry
Relay Play
Wide-Range Pitch Control
Switchable MPX Filter
Fader Switch
High Speed Dubbing Tape Deck
Dual Auto Reverse
Full Logic Feather Touch Operation
Super-Density Permalloy Heads
Automatic Record Level
Multi-AMS Track Search
Twin Electronic Counters
High-Speed Dubbing
Remote Control Capable with Sony A/V Receivers
Control A1 Capability
Headphone Jack
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Sunday, October 30, 2011
Tuesday, October 25, 2011
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